Friday, July 24, 2026

NEW NOVEL--BE DISARMING

 





In Cold City, where Citizens have guns and npcs have mops, a rebellious teenage parkour and graffiti artist sparks a revolution.


From the author of the Generation Dead series, Break My Heart 1000 Times, and I Still See You comes an anti-gun graffiti artist activist adventure with a strong female protagonist. For YA dystopian readers of The Hunger Games, Divergent, and Shatter Me, lovers of Banksy, and rebels with a cause, this is a story about the power of art in the face of violent oppression.

Maudlin Angeles is just another teenage npc in Cold City, where only Citizens have rights, and gun ownership is the law. Between her shifts mopping blood off the streets and “classes” where questions are discouraged, Maudlin sneaks away to jump rooftops and practice parkour, leaving colorful graffiti on the grey walls of the Urban Ruins.

With stolen spray paint cans, Maudlin risks her life to tag a message of resistance against gun violence just in time for Restructuring Day, but the head of Cold Armaments and his heirs are watching.

As her message catches fire, a crew of fellow npc activists recruit her, but their methods are at odds. While graffiti is the only weapon she believes in, her peers and the infamous Cold Security assassin, First Person Shooter, take up arms. At the same time, Elvis, a sympathizer from the most dangerous family in Cold City, approaches her, but can he be trusted when his family is hunting her? Maudlin’s mission is to change hearts and minds, and this is either the most important alliance she'll ever make or her death sentence.

Either way, Restructuring Day won't wait. Liberty Square will fill with Citizens, ringing in the biggest holiday of the year with drinks, candy, and live gunfire from every direction. Maudlin built a revolution with a spray can, but can she survive it?

Saturday, January 3, 2026

Newsletter News



Hello, all. I tentatively re-enter (fully) the world of social media with a weekly newsletter through substack. You can sign upat at https://generationdead.substack.com/ or my website at www.danielwaters.com. My first post, meaningfully, will be on Jan. 6 and includes some book news. If you've enjoyed any of my books or legacy blog posts, I'd appreciate you signing up, interacting, and helping spread the word if you are so inclined. 


Thanks!

Daniel

Monday, August 4, 2025

Aural History--Limited Time Offer

 


To celebrate the new print edition of Aural History, the geniuses at OMZ Press are offering a discount on the ebook edition! Half off! $2.99 while supplies last!

Thursday, July 31, 2025

Aural History from OMZ Press



First time in physical print for the new edition. You can order from Amazon HERE .

 

Monday, July 12, 2021

Viewpoint


 This is one of my favorite photos that I've ever taken. I don't really know why it should have such an emotional impact on me but I feel if I stare at it long enough all will be revealed.

The photo was taken on my cell phone, and is uncropped, unedited, and unfiltered, right through my car windshield in the rain.  I'd gone out to take some post-thunderstorm photos of an abandoned theater a couple miles from my house, hoping to get a neon electric sky behind the theater. Those photos came out okay, with some nice yellows, but not the vibrant purples and pinks I'd been hoping for like in this photo I took a few weeks ago in Savannah:


Two people in my family are talented photographers, one active, the other let their talent fade, which might be one of the great (reversible?) tragedies of their life. I don't have their eye or skill but every so often I catch something that stirs my spirit.

Sunday, May 31, 2020

A Brief Reflection On My Privilege


I feel like the country I love is bleeding out. Words are poor bandages, but still I am compelled to write and so I offer this brief reflection on privilege in the hopes it may lead others to similarly reflect.

I was stopped by the police—twice—on a walk from the strip mall where I’d eaten lunch back to the hotel where I was staying for a business trip. The stops occurred just a few weeks before Covid-19 shut down most of the country, in a commercial sector filled with upscale strip malls, chain stores, and mid-priced business class hotels like the one where I was staying. I was wearing a gray hoodie, jeans, and gray sneakers. I was on the sidewalk; the walk was maybe a block long, point-to-point. I was happy. I’d found a local falafel place with comfortable seating so I was able to write a few pages while enjoying my food, and when I left I popped my earbuds in and was listening to music on an iPod as old as my children. I may have even been singing as I strolled down the sidewalk.

And then the first policeman stopped me.

He pulled his cruiser over to the shoulder of the road and was smiling when he got out of the car. He was still smiling while he waited patiently for me to take out my earbuds so I could hear him.

“Are you Joe?” he asked.

“No,” I told him, supposing I did look a little suspicious in my hoodie—the little yellow “Life is Good” logo over my heart would have been hard to read from a distance. “I’m not Joe. I’m Dan Waters.”

“Okay,” he said, and then he got back in his cruiser. I watched him drive away. I hadn’t felt afraid or even irritated. If anything, I felt amused that saying “I’m not Joe” was enough to send him on his way. It was like I'd cast "Dispel Policemen" with that short incantation. I was singing again in moments.

I was approaching the stoplight at the intersection of the hotel access road no more than a minute later when I spotted the second cruiser. It was waiting on the other side of the red light and somehow looked expectant. Even before the light turned green, and before the cruiser’s flashers came on, I knew this other vehicle was also going to stop me. 

I proactively removed my earbuds. Sure enough, lights still flashing, the cruiser rolled to an abrupt stop on the shoulder in front of me. This time two policemen got out. One, the driver, had his hand on the holster at his back hip.

I still was not afraid. Unnerved, maybe, but I really didn’t think his gun was going to leave the holster.

“Hey there,” he said, smiling. I thought it was a “we gotcha” kind of smile, smirky.

“Hi,” I replied. No fear. “I’m still not Joe. Your colleague stopped me down the road just a moment ago.”

He looked at his partner, eyes narrowing as he tried to get that cop telepathy going.

“Would it help if I gave you my drivers license?” I said, hoping to cut through the confusion. The offer surprised him, just a little. “I’m staying at the Hampton down this street.”

“It might,” he said, and his hand came off his hip and he dropped the smirk, exchanging it for a pleasant smile.. “I’m really sorry for the hassle.”

“No worries.” I replied, because truly, there weren’t any.

I gave him my license; he glanced at it and gave it back. He apologized a second time and before driving away he turned to his partner and said, “The guy we’re looking for looks exactly like him.”
I thought it was a funny thing to say, because the cop and I looked similar. We were both white and bald; he was a few years younger than me and a bit bigger—swole, my son might say--but it would be hard for a casual witness to differentiate us in a line-up.

I walked the short distance back to the hotel thinking primarily about two questions, questions I’d be turning over in my head the rest of the day and on into night as I waited for the sleep that so often eludes me when I’m on the road for business. The questions still haunt me.

How would I have felt in and after that situation if I had been a person of color?

Would that situation had even gone the same way if I had been a person of color?

Despite being confronted by the police twice in five minutes, I did not have a single moment of doubt where I thought that maybe—just maybe—things wouldn’t go my way. I was abundantly certain the confusion would be cleared up with a few words and an ID card. I never thought the police would find my earbuds, my hoodie, or my general demeanor disrespectful. I never thought speaking to them before being asked a question would be a strike against me, and I never once thought that the brief exchange around a mistaken identity or false accusation would end with me in handcuffs or with a knee on my neck.

Not everyone in our country has the freedom—the privilege—to be that confident and fearless in interactions with the police.

Innocence is not enough, by the way. The fact that I wasn’t “Joe” alone wasn’t enough to ensure I could speak freely and act under the assumption there could be no possible negative repercussions for my actions. Even though I apparently was a dead ringer for this miscreant “Joe”, in the first instance all I had to do was boldly declare I was not Joe and the encounter was over.

Does it work the same way for everyone?

 Is a simple declaration of innocence, without any tangible proof, all that is needed to peaceably end confrontations with the police?

Not for everyone, it seems.

Over the next few hours as I replayed the event in my mind, I realized that I’d stepped toward the second cruiser before the police had fully exited their vehicle. Could that have been construed as a hostile approach? Were my hands visible? Did my smile appear friendly, or insolent? Did I reach for my back pocket—where I had my wallet, not a gun—too quickly?

It doesn't take a narrative genius to imagine several different outcomes for these two interactions. No creativity is required to paint a tragic ending when society has provided plenty of them in similar situations. Change mine and Joe's ethnicity and perhaps the story gets told in exactly the same manner--but probably not.

Is it fair to say, that of the many benefits I enjoy as a middle-aged white man, one of them is the benefit of doubt? I have fifty years on the planet enjoying that benefit, that confidence, that lack of fear. My childhood in the seventies, my adolescence and young adulthood in the eighties, my life here in 2020—are likely to have been very, very different than another person’s. Society and culture spent those decades teaching me not to be afraid; society and culture taught many other people over the same time period that they have every reason to be afraid.

Privilege results in many things, but one of the most prevalent—and most polarizing for people who don’t take the time to try to understand it—is the ability to move and interact in society without fear. The realization that many, many people we live, love, work, and interact with every day do not enjoy that very basic freedom should be both sobering and actually terrifying to all of us. The reality that the freedoms we consider to be inalienable rights are routinely denied to people simply because of who they are flies in the face of the things we think we believe in and stand for.

Until we live in a world where people can live without that fear, we live in a broken world.

In the end, I was grateful I was stopped by twice by the police that day. It led me to think deeply about a disease our society must cure. It led me to have more empathy for those who don’t have the freedoms I enjoy; empathy is a path to understanding and understanding is a path to action.

But then again, it is my privilege to be grateful. All I had to do was say my name.

Friday, December 27, 2019

My Favorite Music of 2019



Here’s my favorite new releases of 2019. If you are suitably intrigued by any of my choices or the sounds they lead you to, do the world a favor and purchase music and merch in a manner that would most benefit the artist.

The RosedalesStereoghost 
Long-awaited new release from one of the finest horrorpunk bands ever to record. Horrorpunk may be a bit of a misnomer, though, as The Rosedales' unique blend of music includes shades of rock, rockabilly, goth, metal, and doo wop for an utterly unique and ofttimes haunting sound. If any of the tracks here excite you, buy their entire output as they haven’t released a single disappointing track.  

Sin ThetaSin Theta 
Incredibly versatile debut EP from a band with limitless potential; I wrote about them last year when I included their demo—one song—on my best of list last year. One of the only bands I can think of (Opeth being another) who is skilled enough to super-charge your adrenaline or lull you into a state of harmonic relaxation, sometimes within the same song. One of those rare bands where all of the components excel both individually and collectively, a must-listen for those with even a passing interest in metal.

Kristeen YoungThe SubSet 
Years ago I bought her whole catalog after seeing her perform once, and I’ve bought every release the day it came out since. This one may be her best, and it shows off both the full dynamic range of her beautiful voice as well as the bottomless depth of her lyrical ability. I’ve spun it a dozen times and still get chills with each subsequent listen. “Everyday Subtraction” might be my favorite song in a year that I found overflowing with great cuts.

Ray AlderWhat the Water Wants 
Debut solo album from current Fates Warning vocalist; immensely affecting and powerful. As Fates Warning, especially the Alder years, was the soundtrack of my college years (sharp eyes can spot me and my voluminous, beautiful blond hair at the front left of the stage HERE) , Ray’s voice affects me mentally and spiritually.

Arch/MatheosWinter Ethereal  
I was turned on to Fates Warning (thanks, Dan) after John Arch had already left the band, but the first three albums he recorded with them are among my favorites, not only in the Fates oeuvre but in my entire collection. I love that he periodically rejoins forces with Fates’ mainman Jim Mattheos, and I love that Winter Ethereal is one of their strongest collaborations yet. Great year for Fates fans.

The SpecialsEncore 
Very strong album, as socially revalent as any of their earlier material and just as groove-worthy. Deluxe edition includes some fantastic live tracks of earlier material.

IronbunnyTettsui No Alternative 
Apparently there is a great deal going on currently on the heavy metal scene than Babymetal, and I will be investigating that scene deeply in 2020. This was one of the first bands I became interested in, featuring precise, riff-heavy shredding provided by an armor clad “cyborg” and gorgeous harmony vocals from a trio of young women. The EP also features a number of world-class guest shredders

RideThis Is Not A Safe Place 
No one was happier than I was when Ride reunited to produce 
2017’s Weather Diaries, and I think This is Not a Safe Place is even better than that stellar release.

V/A--Ready or Not Soundtrack 
I saw more films in the theater in 2019 than any year since the mid-nineties when I was an assistant manager in a theater. The title cut alone makes this a worthy listen, especially if you read or write horror stories.

Volbeat-Rewind, Replay, Rebound
A very solid and generous offering from one of my favorite metal bands, Volbeat once again aren’t afraid to throw in some surprises, like the surf usic inflected “Sorry Bag of Bones”, my favorite cut alongside “Leviathan”

BaronessGold and Gray 
Intricate and accomplished new addition to the Baroness color palette.

HawkwindAll Aboard the Skylark
Somehow, I have 46 Hawkwind albums in my iTunes, plus another six records I haven’t yet converted to mp3, plus at least a couple dozen spin-off and Hawkwind related solo projects (unless you count Motorhead as well, then the number is well over a hundred). So obviously, I like Hawkwind. This is my favorite of theirs released in this decade, the perfect vehicle when I need to escape to outer space, as I so often do.

Death AngelHumanicide 
I’ve always thought “the big four of thrash” designation for Slayer, Anthrax, Metallica, and Megadeth ought to be amended to “the big five” with Death Angel being the fifth. I get it—they don’t sell as much—but the quality of their catalog comes close to the best releases of the previous four and eclipses their worst releases. Humanicide is one of their best releases, and managed to get nominated for a Grammy.

Cheap Trick--Are You Ready? Live 12/31/1979 
My love of Cheap Trick is well-documented and so I was thrilled to get this killer live set, a November RSD release.

Lana Del ReyNorman F’ing Rockwell
More songs of Californian disaffection, Lana seems to get her own self-projected vibe even more right on her newer release. Someday I hope to repeat my drive along the PCH playing this at twilight to an off-brand hotel I have never been to and may never leave.

The Dickies—I Dig Go-Go Girls/The Dreaded Pigasaurus
Blink-and-you-missed it (but available on iTunes) RSD single release from O.G. California punks. Pigasaurus especially could be dropped in as a bonus cut on Dawn of the Dickies and it would fit right in.

Magic Circle—Departed Souls 
Brand new old school metal from a Boston based band; I just bought it this week but was excited enough to buy their previous two albums. Riffy and deep, with songs that are accessible enough to seem familiar but often branch out it unpredictable but sonically pleasing ways. I bet they listened to Fates Warning growing up, too.